DANIEL RCHANDLER GMC COMPLAINTS REPORTS -THEY LIKE HARRAING FEMAEL as usual-Even get special treatment to do so!! Reported to GMC, Glasgow University Courts, they prefer whites males,lecturers staff themselves seem to see it as some sort of duty to treat girls like objects to be scualy abused-usu whites sluts- then cause me probs w their scummy lives- dont think s! NOT my job to help THEIR whores lasses! eg Kisty:dumped by clacssics lecturer Gla-’98-then dont rub your probs on me, ask the medics who locked HER up,nothingt o do w me, dont want to be friends +used abused w their dumbo discards rejects who cant look after themselves then their parents take them away leaving me in pain, same w Mcintyres w gavin and I married 10 yrs- dont think these Nazis can wreck Our lives for that Rechy’s filthy moolah, trash allowed to incestuosly abuse MY husband secretly/ steal wgat she can lay her Disg. White paws on, to get away w crimes bc white?! whites scum always get pref treatment even primary school-aged 4, my friend moved school they got white in two yrs after we beall beenat school for staff treating me like dirt in favoutr of their dumb blonde thats how they make them rascist then NOT my job to chase their scum, nor hwlp their whores as Fran Watspnin RCP, then that disgusting Daniel and chandler harassed receiving special treatment for it, he total idiote chav at Glasgow!! GAVIN BEING MY lovely husband-not this time-am not four, close to 40 and ddont want to be targeted this december by kerb crawling plce scum, not chrstian not ill-(just bc that frans whores f buddy 10 aged 21whn she 16-dialegedly died on MY 17th bday ‘party’AT HER HOUSE- IHE IN IRELAND CAR ACCIDENT-PROB STONED KNOWING THM, NONE OF MY CONCERN,NENER MET HET HER PIMP-HE OUHHT TO PAY HER, DONT AKE MY MONEY IN rcp- THEN ABUSE ME YRS EVEN HER SCUMMY PARENTS THEY PAY FOR HER OK AND RETURNMY ND FAMILYS FUNDS AND LOCK THEIR STINKY WHORE OF A JUNKIE FAILURE KID DONT EXPECT ME TO CHASE WHAT IS MONE FROM HER MY MONEY FRIENDS LIFE THEN ABUSE ATTACK ME FOR IT CONTIOUS ABUSES BY THEIR STATE SINCE rECHY ALL WHIR=TES SAME STAEL WHAT IS MONE THEN ATTACK ME- TRY TO GET ME PHISYSIACCLY TO THEIR HOUSE TO ABUSE ME AND THREATEN W AUTHORITIE LIE FRAN, FRAN WAS 18-RECHY NR 80 TOIAL THEIVING WHORES ALL THEIR LIVES W THEUR SCUMMY THEIVING CHARLIES JUNKIES TO ‘PROTECT THEM’/ THEIR DISG says nazi PIGS+ NHS:ALL SECRETS DONT THINK SO! THEY WANT TO HE WHOLE WOT TO KNOW WHAT SCUMMY ARESELHELS THEY ARE- WOULD’T EVEMN LIKE TO GO DOWN TO THEIR LEVEL TO WRITE ABOUT THESE SCUMS-THEY READ SUM MIRROR MAIL, MCINTYRES RECHY, TOTAL DUMBOS-CANT BELIEVE IT- SEEMS THEIR FNY TALK EH-AND THAT’S IT OH AND STOP CHASING Me! Disg. RECHY LESBO TO MAKE IT SEEM Like Nothing ANYTHING FROM THAT GROTBAG-UGH RETURN WHAT IS MINE AND GAVINS -WE -am no reason then finally got me in Ayrshire on behalf on their whilte male disgusing usless chav for my money+abuse bodies-white state pervs, wrecking gavin + I marriage since bc we happy, on bhalf of their medics, Julia foster woodruff cadogan McIntyre Tory PR+that Ruth Davidson disgusting Nazi schav whore forcing me and non-whites friends to help’help’ her and her while males for a blonder/ fairer white amnesty international, getting ‘spedcial treatment’ demeaning others for r money,they looking to berascsit nazi practioners at Amnesty international Glasgow?!and since Holyrood/scotgov, while My lovely husband Gavin locked up four yrs we not even allowed to talk with plce +nhs staff threats attacks abuses ongoing when we get in touch or try to mcintyresabusing our marriage steaing from flat funds-all to force us ,abuse us to ‘believe’ in their stuuuupid ‘medicine’ lies! don’t think so- they don’t let ppl out until theuir take meds, ‘believe’ in meds, become dirty whore sluts through staff abuse in those places and tell staff where tyhey going for lifetime of stalkkig purposes! don’t think so-not this time, thety though 4 yrs aghosince I graduated MA in journalism and at work, they thought they coulsget into andwreck my life for their PR purposes-we don’t believe in treamtn nor meds- never mind what the pigs and nhs sent to the papers with maybe 100 media stories +illegal stolen id photos-house rannasaked many times illegal trespass alos illegal for them to publish our address and hand it over to plc so they can harass us-even london jan black medics worst lowlife disgusting scum-do anyhing to get ‘status’w whites-esp thta dr Ayriku Gavins prev black medic in ayrshire nadhis colleauge julius, totally wrecking our lives insults + they up Rechy’s arse Fergus monger menzies Campbell son, he’s even in Victoria Wood show, the ‘who me never guy’ eugh!yep exactement-Rechy total liar bribing them, prob took them to her bed knowing that slut-bc she cruel hates MY LOVELY husband-we cxant eaist until she dead meat but we have to be quick as we plannig children for yrs- peace when she gone-if spot her call sorn kirt for their excorcist, serioiusly,she evenlook like a dirty old haggis with that black + purple visage-in terms of health LIES-bc our rascists nazis whites media scumbag colleages +employers don’t want to pay what is owed+they dead inferior write about loos?! Riiight. They frauds don’t even deserve pay -up nhs+plce frauds ases-see the Herald Glasgow-oages of NHS adverts-refuse to pay ME for work commissioned/ even published! total propaganda time+money studies waster s’ from their Own Ancients Scots univs! Nazis-recycled ‘news’ bribed to put pieces in ‘news’ on how much they up the nhs + plc ‘behinds’-right! Total chavs, no decent person would want to work with these lowlives anyway-only one token female usu. in these white workplace-for their perverted scl harassment purposes-end of – OH+AS ILLITERTE SCUM CAN’T READ THE OLD ANGLAIS GET OED+GAVINS PROPER SALARY +STAFF INCL SUB.

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Results of search on: 22 Aug 2018 at 13:57:53. The details shown are valid at the date and time of the search only.
• GMC Reference Number
6128499
• Given Names
Daniel Richard
• Surname
Chandler
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Man
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Registered with a licence to practise; this doctor is on the Specialist Register

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• Primary Medical Qualification
MB ChB 2005 University of Glasgow

• Provisional Registration Date
31 Jul 2005
• Full Registration Date
01 Aug 2006
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Public health medicine From 22 Feb 2013
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Results of search on: 22 Aug 2018 at 14:12:04. The details shown are valid at the date and time of the search only.

GMC Reference Number
6128499
Given Names
Daniel Richard
Surname
Chandler
Gender
Man
Primary Medical Qualification
MB ChB 2005 University of Glasgow

Registration and licensing history since 20 October 2005

From
To
Status
16 Nov 2009

Registered with a licence to practise
01 Aug 2006
16 Nov 2009
Registered
20 Oct 2005 (explain this)
01 Aug 2006
Provisionally registered

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Photos-Gavin-MY LOVELY HUSBAND @Gosforth, Newcastle-Nhs-)secretly from Morningside Royal Jan2017)w abusive staff+their plc networks-threats-dont think nhs staff filthy USERS ought to be chasing+ threatening+exploiting us like this-esp so called ‘patients’ family-ME! plc at our hs in jan bc phoned MY husband at hsptl-as is their wont :Gavin+I frightened of them after all these yrs of abuses + atacks-ME!+ journalist! SCARY CHAVS theives+frauds nazi scum/plc threats:Typical disg-chrstian whres teaching-forcing immorality! w abusing lives, funds+marriage since teens-State targets-NO reason:random; stalkers-attacks since teens-4 money, time, at work, while at univ-home, airport, bus stop…..take ANYTHING from us, esp valuables+personal items-even cat! We not safe in uk/eu/our children not safe from them either(bet they’d like them from us- to continue their abusive target lies eh?!Don’t think so)-Trtment LIES as their justification!?!+Trouble,brutality 4 opposing these abuses+stupid LIES+(wed be dead by now if we+(R ppl) hadn’t defended ourselves since teens+(Gavin + !haven’t got the strength anymore it seems, they take everything esp energy) they cant blame ‘suicides’ on ‘mental illness’ nonsense+lies!-More like forced murder!)McIntyre frauds buying protection from state w our lives+funds esp Julia Tory Holyrood pr, racsist bully+useless-but white+wealthy Cadogan+govt jobs for such nazi informer type scum+ w that idiote Rechy-if anyone takes issue with rules of journalism, obviously Gavin+I highly trained in how to report from white Nazi perspective-Don’t think SO – GET IT! AM NOT HELPING THEM-Stop asking forcing me to! THEY get in trouble no reason to go after me-Nazi uneducated white scum refuse to listen to me+Gavin either-Only int in OUR money so prefer dumbo whites’opinions’ only! ?! Total Neanderthals-they not even bothered if we starve-while they- see nhs staff above-get obese-As do Macintyres Mays, get high+fat-you should see them! Ugh

Tradfest: Songs of Peace and Protest: Hope’s Beautiful Daughters

May 9, 2013 by Sam Khan-McIntyre for Edinburgh Reporter

Link: http://www.theedinburghreporter.co.uk/category/culture/festivals/

 

Tradfest, the festival of traditional arts which finished at the weekend, put on a day of musical events based on campaigning and social justice as part of its programme which incorporated ‘Songs of Peace and Protest’, a singing workshop. They also staged a concert entitled ‘Hope’s Beautiful Daughters’ which celebrated music relating tales of struggle and peace.

Donald Smith, organiser of Tradfest, spoke to The Edinburgh Reporter about the festival’s sucess and its significance. We met him at Teviot Row House, part of Edinburgh University, in the imposing wood -panelled debating chamber.

Penny Stone, a singing tutor, ran the workshop. The two and a half hour long evening concert consisted of 6 sets of performers: Karine Polwart, Isla Ratcliffe, Katarina Juvancic with guitarist Dejan Lapanga, Brian Miller and Charlie Sloane and Star Band. The show was curated by Karine Polwart and Arthur Johnstone.

The singing workshop Songs of Peace and Protest was intimate and informal. Seven of us gathered round in a circle with Penny, who had picked the huge high-ceilinged chamber as the venue due to its excellent acoustics,  and soon it was filled with beautiful music. After the introductions, Penny started off with some stretching exercises to loosen the muscles, followed by much humming. She then got the group to warm up their vocals by joining in with a song, the different parts singing responses to her part. This she said represented a call and answer. The type of song was excellent during protests because you can get an answer out of people without them even knowing the lyrics. She then proceeded to teach the well-known song ‘We Shall Overcome.’ The anthem for the American civil rights movement in the 1960s, she explained, is still used today by different protest groups.  Penny taught the technique of harmonising through this piece, with different sections of the group taking the melody and the harmony. The group harmonising began with singing the harmony in one note, and then changing to another note.

Hopes Beautiful Daughters included songs of social and political intent. An audience of around 35 attended  the event in the Debating Hall at Teviot Row. Polwart explained that the intention was to make it feel like someone’s front room. Her beautiful voice with a strong Scots lilt took over the chamber with the first song ‘It’s Not What You’re Born With’.

This song expressed on the idea of making a difference to society through one’s talents. Her next song called ‘Better Things’ was written for a CND event, and discusses how the money that went to the Trident nuclear base could have been used for better things.

Most of the audience would not be described as young. Polwart explained that young people tend not to be actively political as the current generation is not as politicised as people once were.

However, the next musician on stage was 16- year old Isla Ratcliffe from Edinburgh Music School with her song ‘Death Row’. Isla, who wore a black T-shirt emblazoned with the words Troy Davis, has just won a national Amnesty International competition with the song. It is a moving account of death row inmate Troy Davis, who vehemently protested his innocence until the very last. The piece represents miscarriages within the justice system.

Third under the stage lights was Katarina Juvancic, a young alternative and folk artiste from Slovenia. With pixie-like looks, and a long black and white figure-hugging dress, she made an impact with her strong voice and powerful themes to her songs. These drew on various aspects of herself as well as on anthropology and collecting people’s stories.

She discussed the protest movement she is a part of in Slovenia, and how the artistic community rose to meet the challenge of the problems caused by economic crisis and injustices which resulted from it.  Juvancic performed five songs, some in Slovenian and others in English. Many of these were based on strong women’s voices.

She said: – “They are not heard enough and I want to empower these women, as well as myself, and I want the world to see them as empowered, because they’re struggling with hardships. Society sees them as victims but they’re not, they are survivors and I want to pay tribute to their courage.” She feels the role of activists is to ‘transform the pain of society into something beautiful’.

The festival was organised by Donald Smith who is also a director of the Storytelling Centre. When asked about the success of the festival, he said: – “I think it’s a good time because the weather is beginning to improve, and the old idea of Mayday and Beltane fits in with the performances in the open air. It’s not just a music festival. The idea was to involve all the arts inspired by tradition. The timing and variety of arts were the crucial difference from the festival’s predecessors, the Edinburgh Folk Festival and Ceilidhculture. People really like the variety and mix of things.”

On the festival’s significance, he said:- ”This is marvellous. It is all about the artistic values of being a community and supporting each other, and we need that now more than ever, the way the world is now. In traditional culture people celebrate community, humanity, and the wisdom in that. It is also politically important and we stand up as a community for the most victimised people.”

Smith concluded:- “Traditional arts aspire so that people are more fulfilled when they work together in a community, despite class divisions. They make everybody feel a part, and traditional culture celebrates song/society, and that is shared. There is a great sense of joy in the traditional arts, a celebration of life, the world and nature, compassion and friendliness. And we’re celebrating the beginning of spring.”

Tradfest: The Story of Scotland’s Creation

Cailleach's house. credit Catriona MurrayThe audience at this Tradfest event learned how Scotland came to be formed in the new telling of the 3,000 year old myth of the Cailleach, or old hag,  who, it is believed, created Scotland.  The storytellers brought the tale to life through wonderful narration, bright costumes and traditional music.

Taking place at the Storytelling Centre, the myth was narrated by Janis McKay and David Campbell. The hour-long performance was accompanied by renowned traditional Scottish musician Allan MacDonald.   The performers’ aim is for the story to become part of the ‘yes’ campaign on Scottish Independence. Their inspiration came from the Finnish Creation Myth, Kalevala, which helped Finland’s  independence from  Russia .

Janis McKay took centre stage looking dramatic in a flowing floor length turquoise gown, embroidered with Celtic designs. After an introduction to the evening, she explained how the story was put together through research and with guidance from Campbell. He was fittingly resplendent in traditional highland costume, complete with a bright yellow shirt and red necktie, costumes which set the atmosphere for the night’s theme. Campbell narrated the story alongside Mackay, also taking the part of the male role of the young prince.

She then introduced MacDonald, describing him as a “wonderful musician”, to which he replied “And she’s an awful woman!” to roars of laughter from the audience made up of people of all ages and cultures, and with the theatre full to capacity.

The stage was now set for a light-hearted and entertaining evening, as the audience settled down in expectation, and the lights dimmed. In fact, MacDonald, from his place at the side of the stage, did indeed transpire to be a wonderful musician, evoking a sense of Scotland’s natural beauty. Painting a picture of the mist over the mountains and scenic lochs through several traditional instruments. These included the smallpipes, Jew’s harp and malodoan, with Campbell weaving music into the storytelling with an obvious talent and skill.

MacKay began the narration of the tale by explaining how the story of the hag Cailleach unfolded. We learned how she had been living and working in Finland, when she came across the work of Elias Lonnrot, who had gathered and wrote a creation myth for the country in the 19th Century. She said:- ”While I was there I asked what is the Scottish original myth?” She then started to do research into  this, and explained:-  “I was guided by David Campbell, and we found this Earth Cailleach figure. What you will hear has been rescued from many tales, but the words are our own.”

She also completed the story’s setting for us, about a place called Glen Lyon in Perthshire, which is very isolated from anywhere. Here , she said: – “The Cailleach’s little house, about four feet tall, still stands”. Campbell explained that this was where the shrine to the Caillieach (meaning old woman in Gaelic) is maintained. This has been taken outside the house and left to stand in the air for the summer until the arrival of winter, or Samhain.

She said this is  a “tribute to the goddess,” and the “longest continuing ritual in Europe” from ancient times. Until very recently, it was carried out by a shepherd, and is now carried out by the local historical society.

We were then transported into another world  as the story progressed over the next forty- five minutes, with a genuinely infectious  sincerity and passion. This enabled the suspension of disbelief and a childlike entry into the magical world of gods and goddesses, princes, hags and strange creatures and beautiful beings.

The theme, as in the billed title, was creation. The tale of how Scotland emerged from a wasteland where there was once nothing, when the Callieach, described as “the mother goddess and creation of this land” came into being. She made “the first and ancient rock of her beloved Caledonia” which was claimed to be Iona. The story documents how she created each aspect of the country, the islands when “she gathered peats and carried them on a creel on her back. She fell, and the clods scattered, creating the islands”, mountains, the lakes and streams, were also made.

Described as “the hag of winter”, she was not ready to lose her grip on the land, when one night her alter ego, Bride, the goddess of spring, came into existence, through a dreamlike vision.  Bride threatened to uproot the Cailleach’s cold supremacy her with her youthful beauty.

For Bride, flowers and grass grow everywhere she walks.  The Cailleach becomes inflamed, and therefore dresses her in rags, enslaves, then imprisons her, “but her beauty never fades”. Angus Og, the prince of the eternally youthful and green land of Tir Na Nog, sees what is happening in a dream and sets off towards Bride.

The Cailleach then washed her plaid, and to dry it out, threw it over the mountaintops, coating the land in ice and darkness.  She sees a beautiful young face in her well, perhaps a younger version of herself. The prince soon arrives, and a battle ensues. He tells her:- “Begone, begone, your time has come”, portraying the eternal struggle between life and death.

The Cailleach had no intention of growing old gracefully, but is finally defeated and driven away to her isle in the west.  She eventually comes to realise what she has become, when she speaks to the tide about “how she is no longer mighty.”

The story ends when Bride then “took the outstretched hand of Angus and walked into the living Earth”, and flowers grew behind their footsteps.

With regard to the ‘yes’ campaign,  Campbell spoke to The Edinburgh Reporter explaining the nationalist aim for the story.  He explained:-  “The Finnish story was part of the thing which galvanised the sense of belonging, that traditional independence lives in the heart and spirit of the people.”

He continued:- “We aim to support the ‘yes’ campaign where we can through performances for example at the Edinburgh Fringe. The tale spreads a sense of the legend and story of people, and if people get that strong feeling, then that belongs to our destiny.”

“You can gather people’s support in elections or “win by poetry” as its beautiful sense speaks to the heart, spirit and imagination, but once the support is there, you rule by prose.”

For more information, visit:

http://www.daviddcampbell.co.uk/about-me.htm

http://www.janismackay.com/about-me/

Photos courtesy of Mike Wilkinson and Catriona Murray